Movement and Time: Long Exposures that Breathe
From five to twenty seconds, tail lights carve ribbons and buses become luminous blocks. An overpass or corner crosswalk yields dynamic patterns. One evening, an ambulance streaked a heroic red line through the frame, unplanned yet perfect. Try a new vantage tonight and post your results.
Movement and Time: Long Exposures that Breathe
At one quarter to one second, pan with buses, tilt through neon, or scribe subtle arcs for watercolor-like motion. The city’s geometry dissolves into emotion while colors mingle. Share an abstract experiment and the settings you used so others can recreate your painterly effect.